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Handel

Handel Gigue Siebente Suite in g moll - HWV 432

pental

1:52	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

Recitatief en Aria uit "RINALDO" - Lascia Ch'io Pianga - HANDEL

Nicolas

2:30	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	10	84%
	18	45	6	9	100%
	21	15	5	8	98%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	10	84%
	18	45	6	9	100%
	21	15	5	8	98%

Handel - Son nata a lagrimar

HoltWasHere

3:52	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	52	8	5	94%
	19	0	5	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	52	8	5	94%
	19	0	5	4	100%
Sesto	14	0	5	6	70%
Cornelia	13	0	5	6	68%

Handel Andante Siebente Suite in g moll - HWV 432

pental

3:48	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

Flute Sonata in A Minor, HWV 374

DulyNoted

1:05	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	37	8	7	94%
	19	0	6	7	100%
Flute	20	0	7	7	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	37	8	7	94%
	19	0	6	7	100%
Flute	20	0	7	7	100%

La Rejouissance - Handel - Brass Quintet!

Iowabob

1:26	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	10	0	1	6	100%
	7	0	0	6	99%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	10	1	6	100%
	7	0	6	99%
Horn in F	9	0	6	99%
Trombone	10	0	5	99%
Tuba	13	0	5	99%

Suzuki Cello vol. 2 - 5. Chorus from "Judas Maccabeus"

Fmgpalomo

0:47	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		11	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		11	0	2	5	100%

Messiah| No.09: O Thou That Tellest Good Tidings to Zion

Pete Alan

1:59	Est. Play Time
51	Measures
	1,929Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
Violoncellos	19	0	4	5	98%
Cembalo	25	53	7	5	95%
	22	60	3	5	95%
Fagott	18	0	4	5	84%
Oboe	11	0	1	6	65%
Soprano	11	0	1	6	65%
Bass	14	0	2	5	59%
Tenor	9	0	1	6	59%
Alto	10	0	2	6	57%
Alto Soloist	8	0	1	4	14%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
Bassoon Continuo	14	0	3	5	100%
Bass as Raymondo	17	0	5	8	75%
Oboe	8	0	2	3	71%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

Allegro (Fuga à 4) from Suite No 3 HWV 428

Bartók forever

1:53	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Händel - Largo: "Ombra Mai Fu", for Flute and Cello

Hyeon Kim

2:36	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	59	3	8	100%
	15	29	0	3	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	59	3	8	100%
	15	29	0	3	98%
Cello	17	0	2	8	98%
Flute	13	0	2	8	58%

HWV7A3N3b - "Andante, o forti" in G Major

edward.maurath

0:40	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
Basso Continuo	17	0	6	7	100%
Violoncello	17	0	6	7	100%
Contrabass	16	0	6	7	97%
Violins	19	0	6	7	97%
Mago as bass	12	0	3	7	75%
Viola	7	0	3	5	15%

Messiah| No.22: Behold the Lamb of God

Pete Alan

3:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	0	3	8	100%
Violin I	17	0	3	7	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	3	8	100%
Violin I	17	3	7	100%
Violin II	20	4	8	100%
Double Bass	16	3	7	97%
Alto	13	3	6	81%
Soprano	13	3	7	81%
Bass	15	3	7	75%
Tenor	13	4	6	75%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

02. Behold The Lamb Of God

crize2foi

0:57	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	3	6	100%
Soprano	13	0	3	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	3	6	100%
Soprano	13	3	7	100%
Bass	15	3	7	92%
Tenor	13	4	6	92%

Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version

sven2011

1:48	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%